Get ready for a cinematic revolution, because the girl-power phenomenon 'Miraculous' is soaring back to the big screen with a brand-new animated adventure that promises to captivate audiences worldwide. But here’s where it gets exciting: the franchise, celebrating its 10th anniversary this year, has enlisted the powerhouse talents of producer John Cohen (known for Despicable Me and The Angry Birds Movie) and writer Matt Roller (a mastermind behind Rick and Morty and Community). Together, they’re joining forces with Jeremy Zag, the visionary creator of Miraculous, to craft a sequel that builds on the global success of Miraculous Ladybug & Cat Noir—a 2023 hit that grossed over $40 million at the European box office and became a streaming sensation on Netflix.
But here’s where it gets controversial: While the first film broke ground as the first female-powered superhero movie set in Paris, the sequel aims to push boundaries even further. Inspired by Japanese anime’s storytelling and style, the series follows Marinette and Adrien, two Parisian teens with magical powers, as they protect their city from supervillains. With a massive global fanbase—48 billion YouTube views, 43 million subscribers, and 56 million followers across platforms—the pressure is on to deliver something truly special. And this is the part most people miss: Miraculous isn’t just about action; it’s a values-driven franchise that weaves themes of resilience, courage, and identity into its narrative, making it a benchmark for youth entertainment.
Cohen and Roller are no strangers to innovation. Cohen, currently producing The Angry Birds Movie 3, calls Miraculous a “true cultural icon” that unites fans globally. Roller, meanwhile, praises the series for balancing “epic superhero spectacle with deeply relatable characters and real emotions.” But will their collaboration live up to the hype? Only time will tell.
Here’s the bold part: As Miraculous expands into toys, books, fashion, and live events, it’s clear this isn’t just a franchise—it’s a movement. Pierre-Antoine Capton, Mediawan’s chairman, calls it a “symbol of French creativity,” but is it too ambitious? With plans for new stories, worlds, and films over the next decade, the team is betting big on its future. Yet, as Jeremy Zag reflects on the franchise’s 15-year journey, he admits, “It was very hard to make it happen.” So, is Miraculous a miracle, or just the result of relentless passion and partnership?
Thought-provoking question for you: As Miraculous continues to evolve, do you think it can maintain its core values while pushing creative boundaries? Or is it at risk of losing what made it special in the first place? Let’s discuss in the comments!
